Lace Ruffles

I am hoping to take part in the next Red Eye event happening in Durban in September. I will be making a bold ramp piece of jewellery which I am intending to make with layers of metal, lace and paper.

bigger collar

bigger sleavescuff

The ideas I have come up with take reference from the flamboyant lace ruffs, collars and cuffs that were part of the court costumes in the 17th Century. Needlepoint lace was worn as a display of luxury and elegance by both men and women to demonstrate their high class and wealth.

References:

http://www.marlamallett.com/l-needle.htm

The Greenwood Encyclopedia of clothing through world history, Volume 2, by Jill Condra



Hot-glue lace

jewellery 045I have been messing around with hot glue to try and create a lacey-crochet effect. I’m not really sure where I’m going with it but I’ve enjoyed experimenting with something out of my ordinary. I love the translucency of it when the light shines on the glue and I think mixed with some silver elements it could evolve into an interesting pair of earrings.

jewellery 034

design development

Sketch page copy

I’m always tearing out pictures from magazines that hold a certain quality or essence in them that I would like to capture in my jewellery. Often the pictures just have a particular detail that I like, or a tone I want to capture, or there will be colours, patterns or a line that I think I could take reference from when designing.

Above is a working page of some rough ideas I’m playing with that take reference from a magazine picture. My eye was drawn to the lines created by the model’s pose. I like the obscure strength of her stance that somehow also retains the soft nature of a woman’s body. The soft, textured fabric of her dress reminded me of a wax impression I made a while back .

Working with platinum

I am busy working on a piece for AngloPlat, and the theme of the competition is Anniversaries. I decided to celebrate the anniversary of New Life and so I wanted my design to have lots of flowing lines, freshness, life, patterns and layers. So I began by designing this pattern…


Because I am working in platinum, I needed to cut the pattern out of steel, which I then roll milled onto the platinum. I was quite surprised at how much the steel distorted and how insipid the pattern came out on the plat! This is the steel piece…

So, I was left with a long strip of very thin, faintly patterned platinum that I had to turn into something beautiful…hmm! After playing around with the piece, folding it and bending it I decided I was going to make a pendant, but after bending it around my wrist I realized it would work well as a bangle.

So then I worked with introducing layers which I did using a piece of etched silver but was a little stumped at how to attatch the layers together. Originally I thought bout using forged wires soldered to the two plates to connect them, but was worried about the different melting points of the silver and platinum. So I decided to try sewing them together with fine silver wire! This would also introduce another kind of layering, but very subtle. It proved to be a lot harder than I thought but, with alot of patience, it worked out ok.